By David Berry
From downloading track and flicks to gaining access to loose software program, electronic media is forcing us to reconsider the very suggestion of highbrow estate. whereas colossal businesses whinge approximately misplaced gains, the person hasn't ever loved such freedom and autonomy. Berry explores this debate in a concise manner, supplying an amazing advent for an individual no longer versed within the legalistic terminology that -- up previously -- has ruled assurance of this issue.Looking on the ancient improvement of the loose software program and the open resource move he examines its development, politics and power effect, displaying how the guidelines that encouraged the circulate have now all started to steer the broader cultural panorama. He explores even if unfastened software program deals us the aptitude to re-think our dating with expertise within the info society. This e-book will entice scholars of media and journalism, and someone drawn to new possibilities for making a actually self sufficient and democratic media.
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Additional info for Copy, Rip, Burn: The Politics of Copyleft and Open Source
This makes software an interesting and pertinent focal point for understanding the claims of the new economy and the changing relationships between property rights, the commons, political rights and economic structures. Berry 01 chap01 25 5/8/08 12:05:22 26 COPY, RIP, BURN The Commons The common is that material space we share and the precondition for our commonness, our shared understandings as human beings (Silverstone 2007: 35). Arendt (1989) argues that without commonality we are condemned to a ‘private world of selfinterest and political impotence’.
It also facilitates the access, storage and relational connections between vast quantities of data located in different places, such as is demonstrated through search engines like Google. Thus code must be understood as a medium, if not a super-medium. For computer programmers, code is a shortening of the term ‘source code’, usually understood as the concretisation of general algorithms instantiated into particular programming languages. For example, the mechanical process required to move a unit of data from point A to point B could be written in English.
Then I look to the history of the software industry to trace the developments over the past 50 or so years and explore the extent to which software has supported and enabled these wider structural changes. Next I look at changes in intellectual property rights worldwide and the way in which immaterial property, such as patent holdings and copyrights, have become increasingly important to corporate profitability and governments’ conceptions of national success and wealth. The New Capitalism Over the past 40 years, ‘creativity’ has become the focus of an intensified interest by governments and capital.
Copy, Rip, Burn: The Politics of Copyleft and Open Source by David Berry